On Stage

The Autonomics Shed “Youth” Label With Solid EP

The Autonomics Shed “Youth” Label With Solid EP

Before his shift as a cashier at Fred Meyer begins on a Friday morning, Dan Pantenburg takes some time to chat about his main love, his band, The Autonomics, one of Bend’s most promising rock acts and one that’s found a bar following despite the fact that none of its members are of legal drinking age. This week band is releasing an EP entitled Good Luck and Medicine, an impressive five-track rock assault that was produced by Empty Space Orchestra’s Shane Thomas, and are celebrating the debut with a string of three shows on three consecutive nights.

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Celebrate Steve Earle Day

Celebrate Steve Earle Day

 

Steve Earle coming to Bend is one of the coolest, most intriguing bookings we’ve seen at the Tower Theatre (PDXchange not included) this year and that’s probably why the show is sold out and has been for a while.

While there are almost 500 ticket holders who know plenty about Steve Earle and understand why they should see the politically minded country rocker, it’s still worth noting (and celebrating) the fact that such a performer is playing in town. So, think of June 29 as Steve Earle Day in Bend—even if you didn’t get a ticket in time.

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The Slackers’ Chilled-Out Greatness

The Slackers’ Chilled-Out Greatness

There was a time when the Slackers album, The Question, would spend weeks at a time in the car stereo. The record is a pure recreation of authentic Caribbean ska music, not dressed up in punk accouterments, as was the case with so many other “ska” bands that were on the airwaves in the mid-1990s. Some might find what the Slackers do closer to reggae, and maybe they’re right, but classifications aside, The Question is decisively my favorite album of the genre.

But in the past eight years or so, I couldn’t even be positive that the disc was still in my possession. That was before I heard that the Slackers were the next in a continuing line of ska bands to, somewhat oddly (but awesomely) play the Mountain’s Edge Bar on the south end of town on Tuesday night. Further evidence of the Mountain’s Edge’s plan to become Oregon’s integral ska venue (if that’s possible) is the fact that just before The Slackers arrive, the Voodoo Glow Skulls play the joint on Friday night.

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All Together Now: Joe Bonamassa

All Together Now: Joe Bonamassa

The name has been bouncing around the media consciousness of Bend for the last month or two. Radio. Websites. Newspapers. But mainly radio – lots of radio, a medium that lends itself well to the baritone pronunciation of a name like Joe Bonamassa, with its vowels and consonants so sexily colliding.

And when you combine the uttering of Joe Bonamassa (go ahead, let that last syllable fling sharply off your tongue) with the man behind this name’s fiery new-age blues guitar styling and growling voice, the result is pure promotional magic. Again, Joe Bonamassa is a blues rock guitar virtuoso and not a shortstop or a bantam weight fighter like that name of his might suggest.

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From the Ashes: Jukebot and Blowin Smoke

From the Ashes: Jukebot and Blowin Smoke

Last fall, a staple of Bend’s live music scene for the past few years, El Dante, decided to call it quits. Those who saw El Dante probably remember their mostly jammy take on reggae, funk and positive-vibe rock bent on moving some asses on the dance floor. The six-piece outfit was kind of like an inordinately talented wedding band, but without the tuxedos and the cornball-ishness.

The band decided that their stylistic differences were enough to lead them in different directions, and it seems they have done just that, quickly forming two new outfits. First there’s Jukebot, which features two El Dante members in Gabe Johnson and Tyler Mason and played a coming-out show at McMenamins a few weeks back after originally forming to serve as the Church of Neil house band.

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