Music

The Funky Old and the Funky New: Maceo Parker and Trombone Shorty blow their horns across the entire region

The Funky Old and the Funky New: Maceo Parker and Trombone Shorty blow their horns across the entire region

On Tuesday night, two men will be blowing their horns here in Central Oregon and both will be getting terribly funky. One specializes in the saxophone while the other favors the trombone but their styles both weave through the realms of jazz, soul and, again, the funkiest of funk.

There are plenty of other similarities to be found between these two men and their dance-happy sounds, but where they diverge is the 43-year age gap between them. The man on the saxophone is Maceo Parker, one of the forefathers of funk music, and the other is Trombone Shorty (real name: Troy Andrews) the 24-year-old New Orleans virtuoso who has already generated a mystique of his own, having burst onto the scene as a youth on his namesake instrument.

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Ska Ain’t Dead: Well, that’s at least what Necktie Killer is telling us

Ska Ain’t Dead: Well, that’s at least what Necktie Killer is telling us

There is no ska scene in Bend. In fact, there’s probably not a ska scene in most U.S. cities. That’s because it is currently 2010, more than a decade after the horn-friendly, dance-happy sub-genre disappeared from a brief stay in the mainstream before enjoying some niche success and finally finding itself relegated to a shady corner somewhere deep in the underground.

The members of Necktie Killer are aware that ska – the island-inspired, but punk adopted upbeat precursor to reggae – is not huge here. And that’s why they’re doing something to change that. First off, they used the musical chops learned in Redmond High School’s music programs to form their seven-member band and have spent the past two years playing local shows. Now, vocalist and trumpeter Ben Mann, along with help from the rest of the band, are bringing the biggest names in ska to Bend.

They already helped book a Mad Caddies show at Mountain’s Edge, the south Bend bar once known as Timber’s South, and are bringing in Florida ska punks The SuperVillains this weekend to the same venue. But there’s more. In February they’ve booked The Toasters – arguably the first ska band in the US – and in March another legendary ska band arrives in the form of the legendary Slackers.

Mann and company have no delusions of ska grandeur, even with these high-profile bookings – for which they’ll serve as the opening act – and are aware that most folks in their hometown have never heard of their favorite bands.

“If you go out on the street in Redmond, you’d have to talk to 20 people before finding someone who has heard of Reel Big Fish,” says Mann, who since a youngster has been crossing over to Portland to see his favorite ska bands and is a defender of the genre.

“If I put in a ska CD, people would be into it, but they’re not being exposed to it,” he says.

Necktie Killer isn’t exclusively a ska band. Sometimes they’re funky and on occasion they goof around with hip-hop conventions, and they always employ a rock edge. But they were meant to be a ska band upon their formation – when baritone saxophonist Katie Edwards ran into Mann at a party and floated the idea of starting not just a band, but a “ska band.”

And so they did, practicing for almost a year before playing a gig, which they eventually did with the sort of musical exactness one should expect from a septet that with the exception of guitarist Buck Shearer, are all veterans of the Redmond High School band program, graduating between 1996 and 2003.

“When we played our first show at Players [Bar and Grill], we had music stands. That first year we were definitely writing it all out,” says trumpeter Peter Coughlin, sitting next to Mann at a downtown Bend coffee shop.

Since then, the band has loosened up on stage but tightened up their songs, with a couple cuts finding some local airplay on 92/7 FM. And Necktie Killer has jumped on the fact that they very well may be the only band of their style within a 100-mile radius by turning Central Oregon ska enthusiasts, even the closeted ones, into fans.

Whether it’s with their own performances or the shows they’re assisting in bringing to town, it’s quite obvious that these guys (and gal) are having fun. Which seems natural – ska music, even if it annoys the pants off ya – is fun stuff.

“But hey,” says Mann with a smile, “We can genuinely say that we play music that we like.”

The Supervillains, Necktie Killer
8pm Saturday, January 23. Mountain’s Edge Bar.
61131 S. Hwy 97.
7pm Sunday, January 24. Timber’s Redmond, 3315 Hwy 97, Redmond. Both nights: $10/advance, $15/door.

Hip-Hop in Motion: The busy life and second chances of Luck-One

Hip-Hop in Motion: The busy life and second chances of Luck-One

“I feel like I’ve come a long way. Not just as a musician, but as a person,” says Hanif Collins, who goes by the name Luck-One when he’s dishing out his increasingly buzzed about brand of hip-hop in Portland clubs.

It’s a Monday morning and Collins is getting ready to head to his day job as a marketer for a vinyl window company. But the job is just a fragment of Collins’ intentionally busy schedule that also sees him writing and recording music, booking shows, running his own entertainment company, working with a non-profit organization as well keeping up with his voracious reading habit.

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Recordings You Need to Hear That You May Have Missed

Recordings You Need to Hear That You May Have Missed

Sonic Youth

Daydream Nation
Released: 1988

Filled with anthems, energy and angst, Daydream Nation portrays the best snapshot of the late ‘80s East Coast underground rock scene.

Sonic Youth’s sixth studio record immediately plummets into an atmosphere of oddly tuned guitars and melody lines come incredibly close to the boundaries of pop. But, Sonic Youth doesn’t want you to be comfortable. Songs like “Total Trash” pull you with a toe-tapping melody and then drop their Doc Martens on your foot with an exploding barrage of sound.

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CD Review - Black Ice Cream Anyone?

CD Review - Black Ice Cream Anyone?

Helado Negro

Awe Owe

Asthmatic Kitty Records

 

Helado Negro’s debut album (or Roberto Carlos Lange latest project), Awe Owe, is a mix of traditionally structured songs sung and strummed by Lange, with heavy looping, samples, handclaps, the dabbling of woodwinds and Latin percussion. The album can be patchy as if intended for a canvas or tapestry. It’s oddly mysterious, too, with 11 relatively short compositions that meander from one to another without much interruption. The album has a densely ambient feel, yet the repetitious sounds never command a repetitive feel.

 

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