Music Features

Hitting the Road: From church to hip-hop, Joanna Lee heads to Austin for the next step in her career

Hitting the Road: From church to hip-hop, Joanna Lee heads to Austin for the next step in her career

When most girls her age were, well, doing whatever it is 11-year-old kids did in the mid 1990s, Joanna Lee was already writing songs. And now, 14 years later, she’s recorded one of those tracks, filmed a video for it and the tune has become a calling card of sorts for her unique blend of indie folk and soul music.

That song, “Sunshine,” was one that she penned with her mother, and she wrote it with one intention in mind – to impress a boy, of course.

“I wrote it about a little boy. I was in sixth grade and I had a crush on this eighth grader. I thought if I played the song, I thought he’d fall for me,” says Lee, a graduate of Bend High School who has been playing music since cutting her teeth at church performances with her two musically inclined parents.

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Dont Call it a Rave: Bend’s electronic music comes up from the underground this weekend

Dont Call it a Rave: Bend’s electronic music comes up from the underground this weekend

You may not even know it exists, but there is a remarkably high-quality electronic music scene here in Bend. To say this faction of the music scene is underground would be an understatement – if you haven’t seen a show flyer or caught wind of a gig by way of social media, you may have never even known that some of the region’s best DJs reside right here in Bend.

But if you’re walking past the Midtown Ballroom on Saturday night, the electronic music community will be tough to ignore. Local DJs and promoters are throwing a show called Quarantine featuring a sampling of Bend’s finest electronic music purveyors, as well as two emerging European acts, Cottonmouth and Robokop. With one of the most high-end and sizable sound systems you’re likely to see in an indoor music venue in Central Oregon, Quarantine should provide the sort of bowel-shaking bass notes and dubstep glitches that bring dance party lovers out of the shadows and into the club until the early morning hours.

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Video Didn’t Kill the Dance Party

Video Didn’t Kill the Dance Party

There is little in the music world that polarizes a room quite like a discussion about the merits of music originating from the 1980s. You either love it or you hate it and if you say something like, “I dunno. It’s OK, I guess,” you’ll be outed as the fence-sitter that you are.

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Hip-Hop for Everyone: Champagne Champagne on why there’s no such thing as “hipster hop”

Hip-Hop for Everyone: Champagne Champagne on why there’s no such thing as “hipster hop”

Pearl Dragon has some time to talk, but not a ton of time. He’s taking a lunch break from his job at a pawnshop in south Seattle, so he calls in and I answer. But I have no idea who he is at first, mostly because his tone is that of an old friend calling to see if I can meet up for a beer or watch his dog or something.

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Top 10 Moments in Live Music

Top 10 Moments in Live Music

1. Larry and His Flask behind Ranch Records:

It was Record Store Day, so Ranch invited customers to join them behind the store for a show, headlined by Larry and His Flask. Here’s the thing though, about 300 people showed up…and…went…completely nuts.

2. Rubblebucket at The Bite of Bend:

When an eight-piece afrobeat meets indie rock collective comes to play a free outdoor show in Bend, you think people might be confused. Well, they weren’t – they rocked the F”%* out to this emerging New York band.

3. The Autonomics at Bend Roots Revival:

This youthful rock trio had just moved to Portland, but came back to Bend to play the main stage at Bend Roots, and pretty much rocked my face in. Then they sold all of their CDs in about 12 minutes. Impressive…and made me quite proud of Bend’s local scene.

4. Michael Franti and Spearhead, Flobots at the Les Schwab Amphitheater:

I could tell you all about this show, but since most of you (including the people who like to say how much Franti has sold out) were probably there, that would be redundant. For those who didn’t make it – it was like the county fair for the other folks in town.

5. John Mellencamp/Bob Dylan at the Les Schwab Amphitheater:

After finding a spot on the lawn where no angry/entitled Ted Danson look-a-likes told me I was blocking their view, I dug into two sets of rock and roll history. Sure, a lot of folks said Mellencamp was better, but damn, it’s cool to be able to say, “I saw Bob Dylan,” even if he did mumble through most of his show.

6. Empty Space Orchestra (Any Show):

In 2010, Empty Space Orchestra got louder, fiercer and somehow tighter and there’s not one show that stands out more than the others, really. They slaughtered their sets at Last Band Standing, played a killer opening slot for The Helio Sequence, entertained a few thousand new fans for an LSA Summer Sunday and also wowed their most loyal followers at the late night Bend Roots show. Now, they finally have a new record coming out that captures that sound.

7. Blind Pilot, Sara-Jackson Holman at the Tower Theatre:

Perhaps the best of the PDXchange Series was this packed-house performance that began with local Sara Jackson-Holman playing cuts from her new album, When You Dream, then continued with Blind Pilot giving us two-plus hours worth of proof that folk music still matters.

8. Built to Spill at the Domino Room:

Indie rock done well is great. Indie rock done with a beautiful degree of sloppiness is even greater and that’s what Boise-based Doug Martsch and company brought over for this night of guitar mastery and BTS hits.

9. Mosley Wotta’s Halloween Show at McMenamins:

With help from fellow Bend MCs Cloaked Characters and Shireen Amini, Mosley Wotta and band had the costumed masses moving.

10. The Thermals at the Tower Theatre:

A mosh pit at the Tower Theatre? Yup, it happened.


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